#2 in the Collective Noun Series
Leave it to the creative mind of composer Steve Wiest to come up with a crazy title and chart to match! This is definitely...
Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking....
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of...
Three-movement work for solo marimba with a small multiple percussion set-up, including 2 congas, 2 bongos, 5 temple blocks, and chimes. The interplay between...
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the...
#2 in the Great Quotation Series
The main portion of this chart is slow swing similar to Slide Hampton's Frame for the Blues, but it is interspersed with...
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the...
This wonderful piece is based on the poetry of Emily Dickinson. Each song beautifully paints a picture from her words. The 4-mallet marimba writing is very...
This grooving funk tune was written by Steve Wiest and recorded by the great horn band Vinyl Hampdin on their first album, “Red”. The chart is bursting with...
Rather free and abstract introduction leads into several morphing grooves. Lines and accents are passed freely throughout the ensemble at breakneck speeds....
