What would it sound like if Claude Debussy had been able to score for the modern wind band? Andrew Blair’s new orchestration of Debussy’s beloved Clair de Lune...
Short and compact, Sinfonia Caroliniana is structured in three movements, fast-slow-fast, as were the early 18th-century Italian opera overtures called “...
Why should the brass get to play all of the fanfares? Andrew Blair’s new work anti-Fanfare is a thrilling and unique concert opener for wind ensemble, minus...
